June 12, 2010
OK, I’m really late to this party, but I’ve started listening to John Pizzarelli’s radio show, and I think it’s really terrific!
It’s a great line-up of music, the anecdotes are terrific, and you really feel like a guest in his and Jessica Molaskey’s living room. Plus, listening to it on the Internet provides access to both the song list for the show and the ability to forward or repeat at will.
Link to show
June 9, 2010
I wasn’t the only one enthused at the recent outing of Jessica Molaskey and John Pizzarelli at the Kennedy Center. Here’s a quote from a rare review of a local cabaret performance by the Washington Post: “Molaskey is a Broadway vet currently appearing in the musical drama “Sycamore Trees” at Signature Theatre, and her role on this evening was fitting in, not standing out. (The band is mid-tour — Brazil is behind them, New York and Japan are ahead — and they’re sharp.) Molaskey, a solid singer with a reserved demeanor, and Pizzarelli, whose soft voice gets up and down the scale very well, shared melodies nimbly, and they communed particularly deeply as Molaskey sang Joni Mitchell’s “I Had a King,” accompanied by the low, resonant tones of Pizzarelli’s seven-string.”
June 5, 2010
Went to see Jessica Molaskey & John Pizzarelli at the Kennedy Center last night. Wow, what a show !
I’ll link to my official Cabaret Scenes review, but some additional notes about the evening:
- It is interesting to see how much more casual jazz people are than theater/cabaret folks about things like show structure, patter
- That said, the couple have a very comfortable way of communicating, probably due to their radio show (which now I’m determined to listen to)
- Most of the numbers in the show that I saw were familiar from their recordings, which suggests to me that they deliberately programmed a very familiar song line-up due to Molaskey’s involvement with Sycamore Trees.
- Incidentally, it seems that the performance of Sycamore Trees was cancelled rather than have an understudy go on for Molaskey. It was nice to see that on their night off, fellow cast members including Tony Yazbek and Marc Kudisch showed up for the show. It was also nice that she plugged the show from the stage
- Now that I’ve seen them, I’m looking forward to reviewing the recordings. I think for artists like these, occasionally it really makes such a difference to experience them in person to appreciate their recorded work.
Here’s what they sang:
- The Best Things Happen When You’re Dancing / Nice Girls Don’t Stay for Breakfast
- Will You Still Be Mine
- Small World
- Haven’t We Met
- Killing Me Softly / While My Guitar Gently Weeps
- I Want to Be Happy / Sometimes I’m Happy
- Meditation / Summer, Highland Falls
- Just Squeeze Me / Don’t Get Around Much Anymore
- C Jam Blues
- Raised on Robbery
- He Was Too Good to Me / I Had a King
- Wrap Your Troubles in Dreams / Sunrise
- Count Your Blessings / Seasons of Love
March 5, 2009
The Kennedy Center has made it’s announcement about attractions for next season.
Here’s the line-up for the Barbara Cook’s Spotlight series:
- Cheyenne Jackson (Oct. 9)
- Christine Ebersole (Nov. 14)
- Karen Akers (Dec. 12)
- Daniel Evans and Jenna Russell (April 30, 2010)
- Jessica Molaskey and John Pizzarelli (June 4, 2010)
December 1, 2008
The Washington Post had a large feature article on John Pizzarelli & Jessica Molaskey’s radio show — “”From high atop Lexington Avenue, I’m John Pizzarelli.” “And I’m Jessica Molaskey.” Each weekly edition of the two-hour “Radio Deluxe” program begins just that way. But after that, it’s anybody’s guess what will be heard next. Terrific music from the Great American Songbook, for sure. Witty stories, certainly. But no consultant-approved playlist and definitely no script. The best jazz is improvised and so, it seems, is the best radio.” (The online version even has a video interview and song clip.)
The NYTimes profiles Liza Minnelli’s return to the Broadway stage — ““But I have never felt better in my life. I feel free. I feel happy. I feel completely solid. Calmer and more focused. I understand how intelligent I am.” The words were spoken with Ms. Minnelli’s customary earnest exuberance, instantly instilling belief. But as this veteran performer’s recent highly publicized turnaround made spectacularly clear, a sparkling return to form can ultimately prove to be a fireball presaging another crash landing.”
The New York Times also has an interesting article about Irving Berlin as a songwriter inspired by the current production of Irving Berlin’s White Christmas*: ““There are composers who make you come to them, and there are composers who ask you to meet them halfway,” Mr. Pomahac said. “Of the Big Five, Berlin is the first one to race across the room and grab you by the lapels.” This was often literally true. He liked to sing his songs in the face of his listener, a trait perhaps picked up during his days as a busker, a music plugger and a singing waiter. If he didn’t make an impression, he didn’t make a dime.” (The elctronic version of the article also features a slideshow)
*That’s the actual official title of the show. OK, I really wasn’t going to mention Charles Isherwood’s hilarious pan of the show on my blog, but then Davey Brown sent it, too, so I thought people might get a kick out of it. The money quote: “…as fresh and appealing as a roll of Necco wafers found in a mothballed Christmas stocking.”